The rough dirt road gave way to a newly paved modern highway. This was it, the Top of the World, and right on cue, the haze peeled back, just enough to give me a glimpse of the beauty my friends assured me would be there…

So, just exactly how big is Wrangell-St. Elias National Park? You could combine Yellowstone with Yosemite, throw in the entire country of Switzerland, and you still wouldn’t match it in terms of size.

The massive ice field in the park’s wild interior has spawned dozens of glaciers which, over the course of many millenia, have carved the landscape into fjords so heart-breakingly beautiful, humpback whales swim all the way from Hawaii just to cavort in the deep blue water.

There are no icy mountains looming on the horizon, and Fairbanks is nowhere near Alaska’s ruggedly beautiful coast. The true beauty in Alaska’s second city is found below the surface, in the spirit and resiliance of the people who make the place their home.

Most of the major towns in Alaska, as well as three of the state’s incredible National Parks, can all be reached by driving Alaska’s Grand Circle: a loop route beginning in Tok that utilizes all four segments (1082 miles) of Alaska’s Interstate Highway system.

Compared to the huge tidewater glaciers that flow directly into the sea along the coast of Kenai Fjords, Exit Glacier is just a baby–a baby that’s getting smaller every year–but it’s still big enough to permanently alter the landscape through which it passes.

As the tremendous weight of the moving glacier pushes forward, the pressure buckles the ice into fantastic pillars and columns, like frozen fairy castles gleaming translucent blue as the suspended glacial sediment refracts the sunlight.

Contestants take a running leap, then they make this crazy jackknife move, touch the ball suspended high above the floor with both feet, then come back down and stick the landing. If that sounds difficult? You have no idea.

When I drove my Jeep to Alaska that first summer after I retired, my primary goal, the single most important thing I wanted to do, was to see Denali, the biggest mountain in North America.

The Chena hot spring puts out steaming water at a temperature of 150 degrees, producing enough power to meet all the needs of the resort, as well as filling the hot springs pools used by the guests. In addition to the lodge and restaurant, they offered camping and horseback riding, and they had exhibits featuring sled dogs, greenhouses, ice sculptures, and geothermal energy.

Delta Junction, the end of the Al-Can, was only 200 miles away, and the border? Twenty miles, maybe half an hour, and I was finally going to cross into Alaska! I’d been on the road more than three weeks, and in just half a day more, I’d be in Fairbanks.

Approaching the mountains, I started pulling over with serious frequency, taking LOTS of photos! Mountains, clouds, lakes, flowers—I was pretty sure I must have died and gone to heaven, but I couldn’t for the life of me remember the fiery crash.

Every time I rounded a curve in the road there was another stupendous vista; it was nothing short of astonishing! I was literally yipping out loud, and a couple of times I actually pulled over and stopped while I pounded on my chest to “re-start” my heart!

Past Fort St. John, the terrain got a lot wilder. No more towns, very few people, and very little traffic. Saw a few U.S. license plates, Michigan, California, Oregon, South Carolina; people that were obviously headed to Alaska!

Even if you start in Seattle, the closest American city, it’s still more than 800 miles to Dawson Creek, wending your way that much further north, so far north that there will be a noticeable change in the hours of daylight. It’s the latitude that distinguishes the north country, including every bit of Alaska. Dawson Creek is where it all begins.

Visualize a summertime journey through that part of the world, a world filled with mountains and glaciers and boreal forests, ice blue rivers, turquoise lakes, and billowing clouds that fill the sky. Imagine your vision as a beautiful piece of music. The fundamental, underlying theme of that symphony would be a gently rising swell of perfect harmony, pinkish lavender in its hue.

Saltillo was our crossroads: if we turned east here, we’d be retracing our previous route to the border at Nuevo Laredo (along the Highway of Death). This time, we knew better, so we turned north, toward Monclova, and Piedras Negras.

A smorgasbord of colorful images, capturing the essence of the vibrant festival known as the Dia de Los Muertos, in the charming colonial city of San Miguel de Allende.

As we drove away from the toll plaza, a State Police car that had been parked off to one side made a fast U-Turn and started following me. A moment later, he turned on his flashers and gave me a short blast on his siren, motioning for me to pull over. Two uniformed policemen got out, and approached me on the driver’s side. One of them hung back, apparently checking out my license plate before making a phone call.

I wasn’t sure if I was being stopped for some infraction, or if these guys were just fishing…

Today, we’d be driving as far as the city of Oaxaca, 380 miles of curves, switchbacks, and rolling hills that would require at least ten hours of our full attention, crossing the Sierra Madre de Chiapas, and entering the rugged, agave studded landscape of the Sierra Madre de Oaxaca. If you’d like to know what that was like, read on!

MX 199 crosses the Chiapas Highlands from Palenque to San Cristobal de las Casas. The distance is only 132 miles, but it’s 132 miles of curvy mountain roads with switchbacks, steep grades, slow trucks, and villages chock-a-block with topes and bloqueos, unofficial road blocks. Everything I read, and everything I heard, described the drive as  alternatively spectacular, dangerous, and fascinating, in seemingly equal measure.

Rainwater seeping through the limestone walls of the temple soaked the Bonampak Murals with a mineral-rich solution that, each time it dried, left behind a sheen of translucent calcite. The built-up coating protected the paintings for more than 1200 years. As a result, we’re left with the finest examples of ancient art from the Americas to have survived into our modern era.

All of these communities in the Puuc region were allied, politically, culturally, economically, and socially. The Puuc was the cradle of the Golden Age of the Maya. Labna and Sayil were among the brightest jewels in the crown of a realm that never quite coalesced into an empire.

La Guaranducha, a traditional dance from Campeche, is a celebration of life, community, and the joy of existence. On stage, there was a group of young men and women in traditional dress, but it was clear that the guys were little more than props, because all eyes were on the girls. So colorful, and so elegant, hiding coyly behind their pleated, folding hand fans.

The Castillo at Muyil isn’t huge, as Mayan pyramids go, topping out at just over 50 feet, but it’s definitely imposing. Try to imagine: the equivalent of a five story building, with a three story grand staircase, just appearing, out in the middle of nowhere? Boo-yah!

The millions of tourists who fly directly to Cancun from the U.S. or Canada are seeing the place out of context. They can’t possibly appreciate the fact that they’re 2,000 miles south of the border; a whole country, a whole culture, a whole history away from the U.S.A. Just looking around, on the surface? The second largest city in southern Mexico could easily pass for a beach town in Florida.

From the parking lot, the building where they sell the tickets to Uxmal looks a bit like the entrance to a shopping mall, or a multiplex, but the moment you step through the door, you’ll discover that it’s actually a time machine. That entryway is a portal to the world of the ancient Maya, a thousand years into the past. 

Merida is the largest city in southern Mexico, with a population of almost a million. Statistically, Yucatan is the safest of Mexico’s states, and Merida is widely considered the safest of all Mexico’s cities.

The next morning, we were waiting at the entrance to the Archaeological Park a half hour before they opened for the day. We were the only ones there, so they let us through early, and I had the glorious privelege of photographing that wonderful ruin in the golden light of early morning, without a single fellow tourist cluttering my view.

“Good morning,” I said. “We’re driving to Palenque. Will you allow us to pass?”

The leader of the group, a young Mayan lad, walked up beside my Jeep, and fixed me with a menacing glare. “The road is closed,” he said, keeping his hand on the hilt of his machete. “By order of the Ejército Zapatista de Liberación Nacional!”

“Is it closed to everyone?” I asked innocently. “How about if we pay a toll? How much would the toll be?”

He gave me an even more menacing glare. “That will cost you everything you’ve got,” he said gruffly, brandishing his machete, while his companions did the same.

When it was our turn, soldiers in SWAT gear surrounded my Jeep, and an officer with a machine gun gestured for me to roll down my window. He asked me where we were going. I’d learned my lesson in customs, and knew better than to mention the Yucatan. “We’re going to Monterrey,” I said, without elaborating.

He checked our ID’s and our travel documents, then handed them back. “Don’t stop along the way,” he advised. “You need to get off this road and to a safe place as quickly as you can!”

The published threat levels are a “full-stop” deal breaker for the average tourist. That’s unfortunate, because Mexican road trips are fantastic! Yes, there are risks, but all you have to do to reduce those risks to to an acceptable level is follow a few simple guidelines.

In San Miguel de Allende, they’ve adopted a variation on the American version of Halloween and made it a part of their Day of the Dead celebration. Costumed children circle the square seeking candy hand-outs from the crowd of onlookers. It’s a wonderful, colorful parade that’s all about the treats, with no tricks!

The feathered serpent with the unquenchable thirst for blood may be gone now, or at least fallen out of favor, but as long as the ruins of this ancient city remain standing, he won’t be forgotten.

Tulum is not all that large, as Mayan cities go, but its spectacular location, right on the east coast of the Yucatan Peninsula, makes it one of the best known, and definitely one of the most picturesque. 

The Mayan city of Edzná is nothing less than epic, lyrical poetry, an extraordinary sonnet comprised of temples and palaces carved in stone that have stood, in regal grandeur, for more than a thousand years.

The Pyramid of the Magician is the most impressive monument I’ve ever seen. There’s a powerful energy in that spot–something to do with all the blood that was spilled on the altars of human sacrifice at the top of those impossibly steep steps. More than any ancient ruin I’ve ever visited, more than any demonic ancient sculpture I’ve ever seen, that pyramid at Uxmal flat scared the hell out of me!

Out of that handful of Mayan sites where mural paintings have survived, there is one in particular that stands head and shoulders above the rest. One very special place. Down by the Guatemalan border, in a remote corner of the Mexican State of Chiapas: a small Mayan ruin known as Bonampak.

Palenque! Just hearing the name conjures images of crumbling limestone pyramids rising up out of the the jungle, of palaces and temples cloaked in mist, ornate stone carvings, colorful parrots and toucans flitting from tree to tree in the dense forest that constantly encroaches, threatening to swallow the place whole.

If you include the chilangos, (escapees from Mexico City), close to 20% of the population of San Miguel de Allende is from somewhere else, a figure that includes several thousand American retirees.

Visiting the Spanish Colonial cities of Mexico is almost like traveling back in time. Narrow cobblestone streets wind between buildings, facades, and stately old mansions that date back three hundred years or more, along with beautiful plazas, parks, and soaring cathedrals, all of similar vintage.

The Puuc style was a whole new way of building. The craftsmanship was unsurpassed, and some of the monumental structures created in this period, most notably the Governor’s Palace at Uxmal, rank among the greatest architectural achievements of all time.

Much about the Rio Bec architectural style was based on illusion: common elements include staircases that go nowhere and serve no function, false doorways into alcoves that end in blank walls, and buildings that appear to be temples, but are actually solid structures with no interior space.

Coba was a trading hub, positioned at the nexus of a network of raised stone and plaster causeways known as the sacbeob, the white roads, some of which extended for as much as 100 kilometers, connecting far-flung Mayan communities and helping to cement the influence of this powerful city.

To get the best photos, arrive at the park before it opens at 8 AM. There will only be a handful of other visitors, and you’ll have the place practically all to yourself for as much as two hours! Take your time composing your perfect shot.There won’t be a single selfie stick in sight.

There are truckloads of soldiers on the highways, as well as roving pickup trucks with 50 Caliber machine guns mounted in their beds, and of course there are the checkpoints, where you’ll be stopped and surrounded by armed men in SWAT gear. It can be intimidating, to say the least, if you’ve never experienced that sort of thing before.

San Xavier has all of the traditional elements of a Spanish Colonial church, along with many others that are quite unique. The craftsmanship of the original building is superb, and features many fascinating details.

Granada Park is a City Park that’s adjacent to a Mountain Preserve. Its location, along with certain other advantages, make it unique in some very specal ways.

Dropping down out of the Sacramento Mountains near Alamogordo, the sky was filled with the colors of the widest rainbow I’ve ever seen. Down on the flat, another rainbow came spearing down through the clouds before setting out in pursuit of a downpour, off in the middle distance.

When you think of autumn foliage, the list of places that comes to mind is much more likely to include New England than New Mexico–but the Land of Enchantment is full of fall surprises!

You find a rope, any rope, and you grab on with both hands for all you’re worth. The river boils like the North Sea in a gale, great, rolling green waves and troughs. The raft plummets sideways into a hole fifteen feet deep, the outboard motor shrieks, a monster wave towering ten feet above your head comes crashing down across the deck, pummeling the passengers like a gigantic liquid fist that takes your breath away, leaving you suspended, time stopped, frozen in mid-scream.

The two rafts were shoved away from the beach until they floated free, and the boat drivers eased them into the middle of the channel.  We were mostly moving with the current, but the beach dropped behind us pretty quickly, and in a matter of minutes we were out there, rafting down the Colorado River, heading squarely into the enchanted depths of the Grand Canyon.

The cliffs and buttes were a perfect composition, the different colored layers of stone were all but glowing in the afternoon light, and we had this incredible world all to ourselves, not another boat in sight. 

The waters of the Little Colorado are a turquoise blue that is so startlingly bright it doesn’t even look real.  There’s a well-defined spot where that warm, turquoise blue water from the small river collides with the cold, deep green water flowing upstream from the big river. The two dramatically different colors mix, forming a shifting, swirling line of chartreuse.  That spot is the confluence. It’s magical, and utterly unique.

I was still a little dazed by the whole thing, scenes of frothing, churning whitewater playing over and over in my head.  Fleecy white clouds were piling up above the canyon rim, nearly filling the narrow patch of sky, until the lowering sun set them afire, a Grand Canyon sunset display that was the finest we’d seen, worthy of the spectacular setting.  A fitting end to one of the most amazing days of my life.

The trail meandered for a mile or so, finally giving us access to a series of perfect swimming holes.  There’s something about that exotic turquoise water that welcomes swimmers; the creek was cool, but far from cold, and a welcome change from the icy water in the river.  We stopped at an inviting spot to swim, relax, and eat our lunch. Sitting beside that creek, with our simple repast–it was like having a picnic in the Garden of Eden. 

“Two Hander!” John called out, and we all clung to the ropes for dear life as the raft picked up speed.  We were headed straight for the boil of Lava Falls, roaring like a freight train, bearing down. We entered the churning whitewater dead center, then moved hard to the right to avoid the standing waves and the big holes in the middle of the channel.  We got good and drenched, almost like running under a series of waterfalls, bucking and lurching like crazy, but the whole thing was over in less than a minute. 

Immediately below that beach we hit Diamond Creek Rapid, then Travertine Rapid, where we pulled over to the bank at Travertine Canyon.  The creek that entered the river here flowed across huge, slippery boulders in a series of small waterfalls, and we had great fun taking turns standing in the flow, almost like a natural shower.

The river broadened as we approached Lake Mead, and at mile 278 we entered the lake itself.  Pearce Ferry was right there, and we were all pretty quiet as the rafts pulled in to shore for the last time. “Thrill of a lifetime” is a pretty strong statement, but it’s appropriate for this journey.  There’s nothing else like it.

At least 200 monolithic statues are preserved within the boundaries of the San Agustin Archaeological Park, along with 20 monumental burial mounds. Each statue is unique, but taken as a group they provide a fascinating overview of the rituals and beliefs of one of the earliest complex societies in the Americas. The enigmatic idols of San Agustin are truly unmatched among the world’s ancient monuments.

Andean natives have adapted to the intensity of the high altitude sun by taking a very simple precaution: everyone, almost without exception, wears a hat when they venture outdoors. From infants to ancients, everyone covers their head with something, ranging from shawls to leather helmets to proper English bowlers.

Candid portraits of villagers in traditional dress, taken in Chinchero, Peru in 1971, before the outside world intruded.

Candid portraits of Andean villagers taken in Peru and Bolivia in 1971. This set of photographs focuses on the children: their joy, and their innocence.

Historic photos of Peru’s Puno Day festival, taken in 1971. Included is the reenactment of the birth of the Inca empire on the shore of Lake Titicaca, with costumed dancers lining the streets of Puno.

50 year old portraits of Andean natives in their traditional dress, taken in mountain villages not yet tainted by outside influences.

El Manco was easy to spot; he had a right arm that had been severed above the elbow, and that wasn’t his only problem. He was also missing his right eye, nothing there but an ugly knot of scar tissue. “Tough old bird” doesn’t begin to describe a hardscrabble character like Manco; he had a face with creases like a roadmap straight to his own personal version of hell.

What we really know of history is like an ancient tapestry, worn, and threadbare, with missing patches confusing the grand design. When we make a new connection, we restore a missing thread, and little by little, thread by thread, we fill in those troublesome blanks.

Paul dug with his hands then, finally sticking his arm into a hollow space, pulling out a dark object. Grinning at me from the bottom of his hole, he handed up what he’d found. A round blackware vessel representing a coiled serpent, open in the middle, with a spout at the top of the head. I’d seen a lot of Tairona artifacts, but I’d never seen anything remotely like that one.

It was the Tairona gold that triggered a blood lust in the Spanish invaders, ultimately causing the destruction of the entire Tairona civilization. That cycle was repeated in modern times, when the lust for Tairona gold infected the guaqueros, causing the destruction of the last refuge of the Tairona ancestors, in one final humiliation, one last indignity: the RAPE of Bahia Concha!

The five of us had Machu Picchu entirely to ourselves for at least twelve hours. It was like a dream, and a very fine dream, at that.

The road to Sunrise Park climbs into the foothills of Mount Rainier on the eastern side. The volcano is the biggest mountain around, and the treeless upper slopes, cloaked in glacial ice, catch and reflect the full brunt of the rising sun’s bright rays; a spectacle well worth the long drive, and the early wake-up call.

It simply isn’t possible to gaze upon Crater Lake and not be awed by the view. It’s like staring into the eye of the Creator, a heavenly vision reflected by water so clear, and so deep, and so intensely BLUE, you’ll find yourself neglecting to breathe.

Granada Park is a City Park that’s adjacent to a Mountain Preserve. Its location, along with certain other advantages, make it unique in some very specal ways.

As the tremendous weight of the moving glacier pushes forward, the pressure buckles the ice into fantastic pillars and columns, like frozen fairy castles gleaming translucent blue as the suspended glacial sediment refracts the sunlight.

When I drove my Jeep to Alaska that first summer after I retired, my primary goal, the single most important thing I wanted to do, was to see Denali, the biggest mountain in North America.

Dropping down out of the Sacramento Mountains near Alamogordo, the sky was filled with the colors of the widest rainbow I’ve ever seen. Down on the flat, another rainbow came spearing down through the clouds before setting out in pursuit of a downpour, off in the middle distance.

The slightly elevated position of the Lincoln Memorial gives photographers a clear line of sight from every vantage point, with a multitude of options for interesting compositions. But if you want the very best light, and the smallest crowds, you’re going to have to get out there at sunrise!

As a subject for photographers, the Jefferson has it all: columns and curves, sculpture, carved inscriptions, a dome! The Tidal Basin serves as a reflecting pool, and, for a couple of weeks every spring, the whole business is surrounded by flowering cherry trees.

Each weekend I’d focus on a different monument, and I’d shoot them from every conceivable angle, before, during, and after the golden hour of the sunrise. Why the weekend? Because, grasshopper, on weekend mornings, there are no commuters, so there is no traffic, no parked cars, no people in the way of your photo shoot!

When you think of autumn foliage, the list of places that comes to mind is much more likely to include New England than New Mexico–but the Land of Enchantment is full of fall surprises!

Shoot the flower buds when they first emerge, shoot them again when they’re in full florescence, and if you can swing it, one last time when they start to drop, and you have pink petals falling around you like rain…

Visualize a summertime journey through that part of the world, a world filled with mountains and glaciers and boreal forests, ice blue rivers, turquoise lakes, and billowing clouds that fill the sky. Imagine your vision as a beautiful piece of music. The fundamental, underlying theme of that symphony would be a gently rising swell of perfect harmony, pinkish lavender in its hue.

Today, thanks to Instagram, Pinterest, Facebook, and all the other photo sharing sites out there, every human on the face of the earth knows about Antelope Canyon, and the volume of visitors has mushroomed into the millions. Instagram, alas, is its own worst enemy,

We could have planned our photo shoot, set up for it, and no doubt we would have gotten even BETTER pictures. But if we’d done that? We would have missed out on the jaw-dropping surprise of a completely unexpected herd of wild buffalo! At sunrise! In the Grand Tetons! That kind of a surprise? It’s almost enough to make your eyeballs explode. It’s just about the very best feeling there is, in this whole big beautiful world!

To get the best photos, arrive at the park before it opens at 8 AM. There will only be a handful of other visitors, and you’ll have the place practically all to yourself for as much as two hours! Take your time composing your perfect shot.There won’t be a single selfie stick in sight.

Ephemeral “God beams” appear like magic in the confined space, slanting across the canyon floor like spotlights on a theater stage, only to disappear after a few minutes as the earth spins another fraction of a degree, breaking the perfect alignment.

Slot canyons are formed, over the course of many thousands of years, when torrents of rainwater borne from the monsoon storms of summer sluice through channels and cracks in the soft sandstone. Powerful floods strike repeatedly, carving narrow, twisting pathways into the cross-bedded layers of rock, sculpting swirling formations that look like petrified waves.

At the center of the upper section is a large room, 12 by 20 feet, with a front wall that is 12 feet high and made of stone that is two feet thick. This wall was coated in white plaster, decorated with a yellow band, and it is this white wall, which can still be seen, that inspired the name La Casa Blanca, the White House, to this ancient dwelling that has endured in this place for nearly a thousand years.

Viewing Spider Rock from below provides a dramatically different perspective on this extraordinary formation. From above, you’re looking down on the whole tableau, and Spider Rock, shorter than the soaring canyon walls, appears as one small part of the larger scene. From below, from the floor of the canyon looking up at it, you can see just how BIG the danged thing is. At 800 feet in height, it’s a good bit taller than your average 50 story sky scraper, and it completely dominates the landscape.

The twin pillars of Spider Rock were left behind, like a pair of stubborn hold-outs, when everything else around them slowly weathered away. To me, these are fingers of cosmic proportions, thrusting from the earth, pointing toward the heavens in a gesture of unity. When you view these monolithic towers, you will be captivated by their majesty, and by the sheer insolence of their improbable existence.

300 feet above the canyon floor, there are two deep alcoves filled with ruins, and on a wide ledge between them, a large, multi-story pueblo, partially reconstructed, and quite impressive. The setting is a natural amphitheater, and the overall aspect of the place is simply stunning.

The hogan, much newer than the other structures, was built using sandstone bricks recycled from the surrounding ruins. Today, even though it’s not really ancient, Standing Cow is on all the maps, as much a part of the human landscape of Canyon de Chelly as the White House and the Mummy Cave.

Of all the ruins and other archaeological sites in Canyon de Chelly, Antelope House is the most thoroughly investigated. That’s at least partially due to simple ease of access: unlike most of the ruins in the canyon, all the primary structures at this site are at ground level. Researchers have found the remains of several different cultures in the stratified soil beneath the ruins, each group contributing to the timeline of an area that’s exceptionally rich in history.

We got out, and walked through the trees to a place where a thirty-foot long segment of the sandstone cliff had crumbled away near the base, leaving a section of wall that was set back a couple of feet, protected by an overhang. We could see black pictographs of horses and riders filling that rough stone canvas from left to right.

The left hand fork is the spectacular work of nature known as Canyon del Muerto. The star attraction of this route is the Mummy Cave Ruin, the largest in the area, built on a ledge between a pair of deep caves, high on the face of a cliff in an extraordinary natural amphitheater.

“First Ruin is right over there!” Sylvia pointed to our left, where segments of ancient adobe walls filled a natural alcove halfway up the side of the cliff.

“First Ruin. Wait, don’t tell me. Do they call it that because it’s the oldest?”

“No,” she said with a chuckle. “They call it First Ruin, because it’s the first ruin that we see!”

I was probably getting a bit starry-eyed at that point. Barely three miles into the canyon, we’d traveled a thousand years in just under a hundred minutes, and we were barely even underway!

The petroglyphs we’d just seen, and those we were about to see, were an artistic expression of the highest order, representing the hopes, the dreams, and the spiritual quest of the ancients who created them. These symbols, laboriously etched in stone, were left there for our benefit, and if there are lessons to be learned, we’d be well advised to take heed.

Our first stop was a prehistoric bulletin board Sylvia called Newspaper Rock. A smooth segment of cliff face coated with dark desert varnish, featuring an area at least forty feet wide filled hundreds of petroglyphs. The intriguing symbols were created hundreds of year ago by artists who pecked away the dark varnish, exposing the lighter colored rock underneath.

A Navajo guide can take you into the canyon in their SUV, or, if you prefer, you can join a guided hike, or a trail ride on horseback. The standard Jeep tours, which are the most popular, range from three to six hours in length. The longer tours cover the highlights of both Canyon De Chelly, and Canyon del Muerto.

The payoff at the Overlook is a fabulous bird’s-eye view of a quite wonderful Anasazi ruin known as the Antelope House. You can still see the crumbling foundations of dozens of rooms, a tower, and at least four circular kivas, special rooms used by the Ancestral Pueblo people for religious ceremonies.

The White House Overlook offers a fabulous panorama of the Canyon, and an unobstructed view of the White House, one of the best preserved ruins in the National Monument. Set into a sheer cliff striped with desert varnish, the tableau is instantly recognizable as one of the best-known photographs of Ansel Adams, who once described Canyon de Chelly as “the most beautiful place on earth.” He shot some of his favorite images from the canyon rim.

The canyon is filled with fascinating contrasts between the cliff dwellings of the Anasazi and the archaic way of life of the Navajo. These views into the canyon literally transcend time.

Canyon de Chelly is so much more interesting than the Grand Canyon, because it also has a history, a fascinating history that actually comes alive when you view it up close. Native people have lived in this canyon for almost 5,000 years, which is a very long time indeed, by any standard. What those ancients left behind is the most extraordinary concentration of cliff dwellings and rock art panels to be found anywhere in the desert southwest.

I noticed an odd rock formation coming up fast on the left side of the road, almost like a wall built of angular blocks. Shiprock was close, but hidden from view by the wall as I zoomed toward it. After I passed the odd formation, I stole a quick glance in my rearview mirror, and what I saw was a scene so other-wordly, it literally stopped me in my tracks:

Today, thanks to Instagram, Pinterest, Facebook, and all the other photo sharing sites out there, every human on the face of the earth knows about Antelope Canyon, and the volume of visitors has mushroomed into the millions. Instagram, alas, is its own worst enemy,

Ephemeral “God beams” appear like magic in the confined space, slanting across the canyon floor like spotlights on a theater stage, only to disappear after a few minutes as the earth spins another fraction of a degree, breaking the perfect alignment.

Slot canyons are formed, over the course of many thousands of years, when torrents of rainwater borne from the monsoon storms of summer sluice through channels and cracks in the soft sandstone. Powerful floods strike repeatedly, carving narrow, twisting pathways into the cross-bedded layers of rock, sculpting swirling formations that look like petrified waves.