A slot canyon is a long, narrow gorge enclosed by steep rock walls, much deeper than it is wide. In the resplendent array of nature’s most brilliant creations, they rank among the most beautiful, as well as the least common. Their formation requires a unique combination of geological and climactic conditions, persisting over the course of millions of years, and in all the world, there is just one place where those conditions have been consistently met. The Colorado Plateau, which spans the four corners region of Arizona, Utah, Colorado, and New Mexico is slot canyon central: there are more slot canyons in southern Utah alone than in all the rest of the world combined!
Torrents of rainwater borne from the monsoon storms of summer sluice through channels and cracks in the soft sandstone of the Plateau. Powerful floods strike repeatedly, year after year, ultimately carving narrow, twisting pathways into the cross-bedded layers of rock, sculpting it into swirling formations that look like petrified waves. The stone has literally taken the shape of the forces that smoothed it into such phantasmagorical curves.
The most famous, the most visited, and by far the most photographed of these slots is Antelope Canyon, located just outside Page, Arizona, near the shores of Lake Powell. It’s easy to get to, just off the highway, less than five miles from Glen Canyon Dam. There are two separate sections: Upper Antelope Canyon, known to the Navajo as Tsé bighánílíní, “the place where water runs through rocks”, and Lower Antelope Canyon, known as Hazdistazí, or “spiral rock arches” in the native tongue.
Both segments of Antelope Canyon are on Reservation land, and both are part of the Lake Powell Navajo Tribal Park, so all non-Navajo visitors must pay a fee of $8 for a hiking permit. The permit covers you at both locations on any given day, but they are entirely separate from the fees for the tours. The two canyons are eight miles apart, and are served by different sets of tour companies, with seperate reservation and booking systems. (If you have a particular date in mind, reservations are a must).
Location of Page, Arizona, and the two segments of Antelope Canyon
Upper Canyon tours leave from Page and charge as much as $140 per person, which includes transportation to and from the site (an 18 mile round trip). The Lower Canyon can be accessed from the highway, with parking available at the entrance. Since transportation isn’t included, the cost of the tour drops to $90 per person. What you get for your money at either location is a guide (more like a shepherd, herding everyone along) and a bit less than an hour walking a prescribed pathway, at a prescribed pace, through a very crowded slot canyon. That might not sound like such a great deal, but if you want to see this remarkable place for yourself, you don’t have a choice. No one sets foot in either section of Antelope Canyon without joining a scheduled tour, led by an authorized Navajo guide.
LOWER ANTELOPE CANYON
Lower Antelope Canyon is entered through a literal crack in the earth. Visitors descend 75 feet to the floor of the slot by climbing down sturdy metal ladders that are securely bolted to the rock. Because of the steep ladders and extremely narrow pathways, Lower Antelope Canyon is not accessible to visitors with physical disabilities, and is not recommended for people with bad knees, claustrophobia, or a fear of heights.
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Antelope Canyon has seen more changes during the last ten years than there were in the previous ten centuries. As recently as the 1980’s, the slot canyon was little more than a hangout for Navajo teens, a favorite place to have a party, away from the reproachful eyes of their elders. The world outside the small town of Page, Arizona had never heard of the place, and why would they? At that time, Antelope Canyon looked quite different than what you see today. There were no pathways cushioned with clean sand, and no strategically placed ladders in the lower canyon. The narrow passageways were choked with accumulated debris from seasonal flash floods, everything from dead trees to dead rattlesnakes, so there was no such thing as a pleasant stroll along the canyon floor.
An enterprising Navajo family that owned land in the area took the trouble to clean the place up, and in 1983, they started offering tours for small groups of people. There was no advertising, so the early visitors were mostly local folk, along with adventurous travelers from elsewhere who “heard about this place from a friend.” Extraordinary pictures of Antelope Canyon started appearing in travel magazines, sparking broader interest, and steadily increasing growth in the number of visitors. All was well until a bleak day in 1997, when disaster struck, and eleven tourists lost their lives in a flash flood that swept through the Lower Canyon. There was no early warning system, and no safety equipment in place that might have saved those lives. That was all the reason needed for the Navajo Tribal Council to incorporate the two segments of Antelope into the Lake Powell Navajo Tribal Park. That gave the tribe the authority to put rules in place, limiting access to tours led by Navajo guides, and implementing strict safety protocols designed to prevent any recurrence of the tragedy.
It was about this time when the Internet went mainstream, and regular people suddenly had unlimited access to all the beauty in the world. Photos of Antelope Canyon were like the cream that rose to the top, and during the next fifteen years, images of swirling orange sandstone were popping up everywhere you looked. In 2009, Microsoft chose a particularly lovely Antelope Canyon photo as one of the wallpaper images that came bundled with Windows 7, and that photo got noticed, all over the world. At that point, Page, Arizona, the quiet little town on the shore of Lake Powell, became a bucket list destination for untold thousands of people. A sizable portion of those people had Instagram and Facebook accounts, so thousands of travelers posted tens of thousands of selfies, and the striking images were shared around the globe, moving at the speed of light. The math is exponential. Thousands turned into millions, and despite a serious slowdown during the COVID 19 pandemic, the crowds, measured in the millions, are still coming.
PHOTO TOUR: 2013
My own first visit was in 2013, and at that time, even though Upper Antelope Canyon was a very busy place, Lower Antelope Canyon was practically deserted. My friend and I took the special Photography Tour, which allowed us to wander at our own pace for 90 minutes, WITHOUT a Navajo guide, and the canyon was blissfully uncrowded.
A SIMPLER ERA
We were there in October, which is the off season for travelers in that part of Arizona, but even at that, our experience could hardly be considered typical. I’ve talked to a lot of people who have visited Antelope Canyon, some before this first trip of mine, and others after, but none of them had the whole lower canyon to themselves the way we did. It was a combination of good timing, and blind good luck: the tour company was short staffed that day. They didn’t have anyone to send along with us, and because we were “Photographers,” they trusted us to behave ourselves, despite the lack of supervision. And it wasn’t like we needed to show them a Press Pass. We simply had to carry a tripod, and it didn’t matter whether we actualy used it or not. The guys at the ticket booth were remarkably casual. Their only concern was that we not leave any trash in the canyon, and we had to solemnly promise not to exceed our 90 minute time limit.
The rock is sandstone, compressed sediment from the bed of an ancient sea. I tried to imagine the forces that carved these stone walls into such improbable shapes.
The water that roars through the slot during seasonal flash floods is turbid with sandy sediment, so the torrent of what started as clean rainwater acts like coarse abrasive on the stone, grinding it down, flushing particles away. Sand on sand, water and sand trading places, a process that has been ongoing for millions of years. Millions of years! Time is the artist whose work is on prominent display here. Time is the master sculptor, and only time will tell how this story ends.
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Much of the beauty of Antelope Canyon has to do with the light, which is constantly shifting. The angle of the sun’s rays changes throughout the day, and the sun’s position relative to the horizon changes through different seasons of the year. Those factors make a big difference in the quality of the light in the canyon, in the shifting hues and textures of the sandstone, and in the depth of the shadows, all of which can make a dramatic difference in your photographs.
There’s a well-known phenomenon at both Upper and Lower Antelope Canyon, something that happens regularly in the Spring and Summer, but never in the late Fall or Winter. Ephemeral “God beams” appear like magic in the confined space, slanting across the canyon floor like spotlights on a theater stage, only to disappear after a few minutes as the earth spins another fraction of a degree, breaking the perfect alignment. We saw just one of the light beams on our tour in 2013, and that was purely by luck, since we were too late in the season for the optimal display.
I made a second visit to Lower Antelope Canyon in 2015, and by then, the word was out about the relative lack of crowds. They still offered Photography Tours, but it was no longer possible to hike through the canyon unaccompanied. The fee was higher than the fee for regular tours, but you got more time in the canyon, two full hours, with a much smaller group of people and a guide who specialized in slot canyon photography. That was a really good deal while it lasted, but of course it didn’t last. When visitor numbers exploded, in the late 2010’s, the photo tours were discontinued altogether in both sections of the canyon. That allowed them to keep everyone moving at the same speed, insuring a smoother flow of foot traffic through the narrow spaces. They also banned the use of tripods, eliminating time-consuming set-ups, and that definitely helped to speed people along. I was lucky to go when I did, because crowds weren’t a problem for me on either of my visits. The photos that follow were all taken on my second trip, with additional images to be featured in a seperate post, published concurrently with this one:
PHOTO TOUR: 2015
We timed our visit perfectly. June was known to be the best month for photographing Antelope Canyon’s famous light beams, but I went a step further. We stopped at the ticket booth the day before our tour, and we asked the guys which time of day would be best. They recommended the 10:20 AM photo tour. “That’s not the best time for colors,” they said, “but it’s the best time for the light beams.”
Our guide was a lovely young Navajo woman named ‘Tana, and she turned out to be a wonderful asset. She was intimately familiar with every inch of the canyon, plus she knew the best settings for any type of camera, the best way to handle the extreme contrasts, the best shooting angles and spots to set up, and–this was so cool–she had the authority, by mutual agreement among the tour guides, to literally stop any other tour groups from moving through our space while we, the elite, privileged ‘photographers’, finished taking our perfect, distraction-free photographs. What was even more important to me personally: ‘Tana knew exactly where and when those famous beams of light were scheduled to appear, and she made sure we were able to take full advantage.
Light beams, or God beams, or crepuscular rays, or whatever you want to call them, those things won’t show up all that well in a photograph unless there’s something in the air to reflect the light source. The water droplets in fog or scattered rain showers are perfect for this purpose, defining and concentrating those awesome rays you sometimes see in a sunset, or after a storm. The particles in smoke, or in the ash from a volcanic eruption, or dust storms, or heavily polluted air–all of those will likewise serve the purpose, although in a rather more unpleasant fashion.
Since you don’t generally have any of that sort of thing in Antelope Canyon–not the good, or the bad–the guides are forced to employ a bit of trickery to “bring out” the light beams for better pictures. Theirs is a time-tested technique, and pretty simple, though it does take a bit of practice to get it right. All you need is a Dixie cup, liberal quantities of the fine sand that cushions the canyon floor, and a good underhand pitching arm (think, slow pitch women’s softball). You can see the results of that technique here:
If you’d like to watch our guide creating multiple light beams in stop-motion action, check out the next post in this series: Conjuring a Beam of Light in Antelope Canyon.
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Along with the light beams, there are wonderful angles and curves, layers within layers lit by constantly shifting luminescence filtering down through the narrow opening at the top of the slot. Everywhere I pointed my camera was a different composition. a different “take” on this primordial tableau. It simply wouldn’t be possible for humans to recreate what you see here. The complexity of the design goes well beyond our humble abilities.
For all its stunning natural beauty, Antelope Canyon is largely devoid of life. The forces that carved this space are ongoing, washing the canyon clean every time it floods, so soil never accumulates in the quantity needed to support plants. Even the insects are scarce, and unique to this unique environment.
A half mile from the entrance, you come to the exit. Climbing up and out of the slot canyon, you feel like you’re emerging from the bowels of the earth, and in a very real sense, that’s exactly what you’re doing.
After exiting the slot, everyone walks a half mile back to the parking lot, hiking above ground, this time. Which brings us to the end of the Lower Canyon tour.
UPPER ANTELOPE CANYON
Tours of Upper Antelope Canyon begin at the Tour companies offices in downtown Page. Passengers climb aboard a van or truck, and are driven nine miles to the canyon entrance. All but the last few miles of the road is paved, so it’s a reasonably easy eighteen minute ride, much more comfortable than in the past. When we went there in 2013, we rode in the open back of a pickup truck, and by the time we reached the canyon, we were coated from head to foot in dust from the dirt road.
Upper Antelope Canyon is the most visited of the two sections, for the simple reason that it’s the most accessible. The area that’s reserved for the tours is just 600 feet long, but the path twists and turns, so it seems bigger. The canyon floor is flat, requiring no climbing, no scrambling, no stairs, and it’s quite wide, which is a good thing, because it’s always crowded. Multiple tours overlap inside the canyon, but the guides do a reasonably good job of spreading the various groups through the available space, and keeping everyone moving.
Most of the photos you see of Upper Antelope Canyon were taken while looking up toward the top of the space. That’s where the light comes from, and it’s also the only part of the scene that isn’t filled with your fellow tourists, packed in cheek by jowl, waving their cell phones above their heads like supplicants.
Since this was our first foray into either slot canyon, we didn’t know enough to time our tour for the best light. Result, we got the worst light, and my photos are darker than I would have preferred.
Next time, I’ll be sure to go in the best season (spring or summer), and at the best time of day, from 11 AM until 1:30 or so. They charge a bit more for the mid-day tours, and they’re more crowded, but you get much better light for your photos..
Even without the optimal light, Upper Antelope Canyon is an extraordinary place. You really do have to see it for yourself to appreciate the grandeur that’s on display.
I’d be remiss if I didn’t include a brief word of caution: the primal forces that created these canyons are still very much at work, and those forces can be dangerous. If it’s raining, don’t go to Antelope Canyon. In fact, if it’s raining anywhere within ten miles of the place, you shouldn’t go, because water falling on any part of the watershed funnels right straight through these slots, like water down the drain of a giant sink. The tourists who died here in1997 ignored explicit warnings from their guide, only to be trapped and drowned when a flash flood came out of nowhere, and hit the Lower Canyon. It was not raining at Antelope that day. The flood was spawned by a thunderstorm that blew through the area seven miles upstream.
In the years since that tragedy occurred, they’ve installed early warning systems for potential flooding, they’ve installed emergency net ladders (out of sight when not in use) to facilitate swift water rescues, and most important of all, they no longer take chances. When it rains, or when there is any likelihood of rain in the area, the canyon tours are closed. And every time there’s a storm big enough to actually flood the canyons, they will will remain closed to visitors until the labor-intensive cleanup is complete. That means that all debris, as well as all standing water has to be removed (usually via bucket brigade), and a layer of fresh sand has to be shoveled down from above to cushion the trail and absorb any excess moisture. Every day this attraction is closed equates to many thousands of dollars in lost revenue, so closure is not an action that’s taken lightly. The safety of visitors is the primary concern of everyone involved.
(Unless otherwise noted, all of these images are my original work, and are protected by copyright. They may not be duplicated for commercial purposes.)
This is an interactive Table of Contents. Click the pictures to open the pages.
The Incomparable Beauty of Antelope Canyon
Antelope Canyon: Where Water Runs Through Rocks
Torrents of rainwater borne from the monsoon storms of summer sluice through channels and cracks in the soft sandstone of the Plateau. Powerful floods strike repeatedly, year after year, ultimately carving narrow, twisting pathways into the cross-bedded layers of rock, sculpting it into swirling formations that look like petrified waves.
<<CLICK to Read More!>>
Conjuring a Beam of Light in Antelope Canyon
Ephemeral “God beams” appear like magic in the confined space, slanting across the canyon floor like spotlights on a theater stage, only to disappear after a few minutes as the earth spins another fraction of a degree, breaking the perfect alignment.
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San Xavier del Bac: The White Dove of the Desert
San Xavier has all of the traditional elements of a Spanish Colonial church, along with many others that are quite unique. The craftsmanship of the original building is superb, and features many fascinating details.
<<CLICK to Read More!>>
A Serendipitous Sunset at Shiprock
I noticed an odd rock formation coming up fast on the left side of the road, almost like a wall built of angular blocks. Shiprock was close, but hidden from view by the wall as I zoomed toward it. After I passed the odd formation, I stole a quick glance in my rearview mirror, and what I saw was a scene so other-wordly, it literally stopped me in my tracks!
<<CLICK to Read More!>>
A Sunset at White Sands
Dropping down out of the Sacramento Mountains near Alamogordo, the sky was filled with the colors of the widest rainbow I’ve ever seen. Down on the flat, another rainbow came spearing down through the clouds before setting out in pursuit of a downpour, off in the middle distance.
New Mexico’s Golden Autumn
When you think of autumn foliage, the list of places that comes to mind is much more likely to include New England than New Mexico–but the Land of Enchantment is full of fall surprises!
There’s nothing like a good road trip. Whether you’re flying solo or with your family, on a motorcycle or in an RV, across your state or across the country, the important thing is that you’re out there, away from your town, your work, your routine, meeting new people, seeing new sights, building the best kind of memories while living your life to the fullest.
Are you a veteran road tripper who loves grand vistas, or someone who’s never done it, but would love to try? Either way, you should consider making the Southwestern U.S. the scene of your own next adventure.
The Most Beautiful Place on Earth:
A Guide to Canyon de Chelly National Monument
This is an interactive Table of Contents. Click the pictures to open the pages.
Canyon de Chelly: Part 1: The Rim Drives
Most of Canyon de Chelly can only be seen by visitors who are accompanied by an authorized guide, but the Rim Drives are free of charge, no reservation required. Two roads, Indian Route 7, and Indian Route 64 diverge at the entrance to Canyon de Chelly National Monument. Route 7 follows the South Rim of the multi-pronged formation, providing access to seven overlooks, all with killer views into Canyon de Chelly. Route 64 follows the North Rim, and provides access to three more overlooks, with excellent views into the branch known as Canyon del Muerto.
The South Rim drive is a 36 mile round trip, from the Welcome Center to the Spider Rock Overlook and back again, making multiple stops in between. You’ll need a couple of hours to do it justice, depending on how much time you spend at each of the different overlooks. The North Rim drive is shorter, just over 26 miles round trip to the Mummy Cave Overlook. That drive requires another hour and a half, bare minimum, so if you’re going to do both, you should play it safe, and set aside half a day. I can guarantee you’ll consider it time well spent! <<CLICK to Read More!>>
The South Rim Drive
Indian Route 7 begins at the turnoff from US 190, and serves as the main road in the Navajo town of Chinle. If you follow it headed east, it will take you directly to the Visitor Center for the Canyon de Chelly National Monument. Stop there to pick up a map of the park, and to get current information about guided tours and other activities, as well as road conditions, and any closures that might affect your visit.
From the Visitors Center, bear right at the fork to stay on Indian Route 7, the South Rim Drive, and follow the signs to the overlooks.
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Overlooking the White House
A mile and a half beyond the Junction Overlook you’ll reach the turnoff for the White House Overlook, which is at the end of a half-mile long access road. The White House Overlook has always been one of the most popular. The vantage point offers a fabulous panorama of the Canyon, along with an unobstructed view of the White House, one of the best preserved ruins in the National Monument.
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The North Rim Drive
Most visitors to Canyon de Chelly National Monument focus the bulk of their attention on the South Rim Drive, but in my view, your trip simply won’t be complete if you don’t take in the North Rim Drive as well.
Seven miles from the Welcome Center is the turnoff to the Antelope House Overlook, which is two miles further along a paved access road. The payoff is a fabulous bird’s-eye view of a quite wonderful Anasazi ruin known as the Antelope House. You can still see the crumbling foundations of dozens of rooms, a tower, and at least four circular kivas...
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Canyon de Chelly: Part 2: Chinle Wash
Canyon de Chelly National Monument is a place for the whole world to enjoy and admire, just like all of our national parks and monuments, but at Canyon de Chelly there is an essential difference: the rim drives and most of the overlooks offering views into the beautiful canyon are open to the public all year around. The canyon itself, including all hiking trails and Jeep tracks, all the ruins and the rock art, in essence, anything below the canyon rim, all of that is private property, off limits to everyone save the handful of Navajo families who own the land on the canyon floor.
The rest of us can go in, but only to certain areas, and only if we’re accompanied by an authorized guide. A Navajo guide can take you into the canyon in their SUV, or, if you prefer, you can join a guided hike, or a trail ride on horseback. The standard Jeep tours, which are the most popular, range from three to six hours in length. The longer tours cover the highlights of both of the primary gorges, Canyon De Chelly, and Canyon del Muerto.
The series that follows is a detailed account of my own experience in this remarkable place. <<CLICK to Read More!>>
A Timeless Journey into the Heart of the Navajo Nation
At the beginning of our trip, we asked Sylvia to show us her favorite petroglyphs, along with the usual ruins and rock formations, and she did not disappoint. Our first stop, very near the mouth of the canyon was a prehistoric bulletin board she called Newspaper Rock. A smooth segment of cliff face coated with dark desert varnish, featuring an area at least forty feet wide filled with hundreds of petroglyphs. The symbols weren’t carved into the rock, and they are not painted. These artists pecked away the dark varnish, creating their pictures by exposing the lighter colored rock underneath: antelope, birds, hunters, and a multitude of intriguing symbols.
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Ancient Stories Etched in Stone
A short distance from Newspaper Rock, just a few steps away along the base of the cliff, we came to another set of petroglyphs featuring riders on horseback. These were most certainly Navajo, and likely date back to the 1800’s. They shared this shady space with other images that were obviously much older. There were hunters, deer, birds, handprints, and more. We crowded in close for a better look.
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Kokopelli and the Lightning Spear
“When you look at this, there’s a man holding a staff; out of the staff there’s this energy that’s coming out. The figure in black is the patient. The one in yellow is the shaman. The important men of the village are up on the side here, so this was a very sacred ceremony that they were doing. And there are some other drawings on the side; this one here is like a figure of the holy people, because it’s way up there, and it only has the head, and not the arms or the legs. You see a lot of people drawn, and there’s a bird there. And these are drawings of, like, clan systems. The bear, the turtle, and the antelope down here.”
I was probably getting a bit starry-eyed at that point. Barely three miles into the canyon, we’d traveled a thousand years in just under a hundred minutes, and we were barely even underway!
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Where Canyons Collide
Just around the bend the canyon opened up into an area wider than any other we’d seen, and right in the middle was a monolithic block of sandstone known as Dog Rock. To the left was the north fork of the canyon, Canyon del Muerto, and to the right, the south fork, Canyon de Chelly itself. The cliffs soared at least 200 feet above our heads, and halfway up the sheer face opposite was another alcove filled with crumbling adobe, a site called Junction Ruin. A bit smaller than First Ruin, and a bit less well preserved, this is an Anasazi structure dating to the same approximate era. The ruin is clearly visible from above at the Junction Overlook on the South Rim Drive; it looks a bit different when viewed from below...
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Canyon de Chelly: Part 3: Canyon del Muerto
The left hand fork is the spectacular work of nature known as Canyon del Muerto. The star attraction of this route is the Mummy Cave Ruin, the largest in the area, built on a ledge between a pair of deep caves, high on the face of a cliff in an extraordinary natural amphitheater. It’s a 24 mile round-trip from the Junction, twelve miles of rough road in each direction, with enough twists and turns to qualify as a carnival ride–along with plenty of mud! Along the way you pass the Ledge Ruin, Antelope House Ruin, Navajo Fortress, and Standing Cow Ruin, along with some extraordinary rock art.
The most popular tours last between 3 and 4 hours. Most of them travel into both canyons, but don’t go all the way to the end of either road. Only the longer tours include Spider Rock or Mummy Cave, and only the all day tours include both. Private tours offer the most flexibility, and in most cases, a more comfortable ride.
<<CLICK to Read More!>>
Ruins and Rock Art
In this pictographic sequence, the Utes are on the left, mounted on horseback, with shields and lances, while the Navajos are on the right, on foot, and clearly outnumbered. In one version of the story, just as in Sylvia’s account, the attack took place during a Night Way healing ceremony, in the winter, catching the Navajo by surprise, and at a deadly disadvantage.
The drawings are charcoal, except for the shields, which were painted with pigment made from the bee weed plant. The sandstone overhang provides some protection, but after 150 years or more, the panel is weathering, starting to fade and flake away. Many of the rock art panels in these canyons are in danger of irreversible deterioration from exposure to the elements. Pictographs such as these, done with charcoal and other natural pigments, are particularly vulnerable to the ravages of time.
<<CLICK to Read More!>>
Antelope House
Antelope House was formally excavated in the early 1970’s, by archaeologists working with the National Park Service. Each new culture that occupied this site built atop the remains of their predecessors, so as researchers dug into the stratified foundations, they found the pit houses of the Basket Makers at the bottom, and layers of increasingly sophisticated cultural remains, from the Ancestral Pueblo to the Pueblo people, the Hopi, and the Navajo, each of these groups contributing to the timeline of an area that is exceptionally rich in history.
Of all the ruins and other archaeological sites in Canyon de Chelly, Antelope House is the most thoroughly investigated. That’s at least partially due to simple ease of access: unlike most of the ruins in the canyon, all the primary structures at this site are at ground level.
<<CLICK to Read More!>>
Standing Cow: A Home Among the Ruins
The hogan, much newer than the other structures, was built using sandstone bricks recycled from the surrounding ruins. That would never have been allowed today, but at the time, before the National Monument was established, there weren’t any rules against it, so Sylvia’s great grandfather was simply being practical, using what was available. Today, Standing Cow is on all the maps, as much a part of the human landscape of Canyon de Chelly as the White House and the Mummy Cave. We felt quite privileged to be there with someone who was so directly connected to all of it.
<<CLICK to Read More!>>
Blue Bull and Mummy Cave
300 feet above the canyon floor, there are two deep alcoves filled with ruins, and on a wide ledge between them, a large, multi-story pueblo, partially reconstructed, and quite impressive. The setting is a natural amphitheater, and the overall aspect of the place is simply stunning.
Occupied for a thousand years, from around 300 A.D. until 1300 A.D. The whole complex, including the main building and the structures in the two flanking alcoves had as many as 70 rooms, including living quarters, ceremonial spaces, and storage.
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Canyon de Chelly: Part 4: The Road to Spider Rock
Today, only authorized Navajo owned vehicles are allowed inside Canyon de Chelly, but this was in 2013, when it was still possible to drive yourself in your own 4×4, as long as your Navajo guide rode along with you. That arrangement was Sylvia’s specialty, and driving through that canyon, with her ongoing expert narrative providing background on all the points of interest, was some of the best fun I’ve ever had.
The first part of the route was aleady familiar to me. We entered Chinle Wash from that same dirt road, just past the Visitor’s Center, and I took off down the sandy creek bed, keeping up a steady speed and zig-zagging diagonally across the deepest ruts, to avoid getting trapped.
We passed by all the places where we’d stopped the day before, and made it all the way to the junction in just over half an hour. This time, we took the right hand fork, and we hadn’t gone far when we ran into our first big challenge of the day: a steep downslope that crossed a wash, with deep mud at the bottom of the hill.
<<CLICK to Read More!>>
Riding the Rainbow to the Universe
Viewing Spider Rock from below provides a dramatically different perspective on this extraordinary formation. From above, you’re looking down on the whole tableau, and Spider Rock, shorter than the soaring canyon walls, appears as one small part of the larger scene. From below, from the floor of the canyon looking up at it, you can see just how BIG the danged thing is. At 800 feet in height, it’s a good bit taller than your average 50 story sky scraper, and it completely dominates the landscape.
<<CLICK to Read More!>>
The Oldest White House
At the center of the upper section is a large room, 12 by 20 feet, with a front wall that is 12 feet high and made of stone that is two feet thick. This wall was coated in white plaster, decorated with a yellow band, and it is this white wall, which can still be seen, that inspired the name La Casa Blanca, the White House, to this ancient dwelling that has endured in this place for nearly a thousand years.
<<CLICK to Read More!>>
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